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40 Multiple choice questions

  1. The face shape featuring a narrow forehead, extreme width through the cheekbones, and a narrow chin is the _____.
  2. For a client with gold skin tones, a ______ hair color would be flattering.
  3. Design texture can be created temporarily with the use of ______.
  4. Left natural, _____ hair may not support many styling options.
  5. The square face shape ______.
  6. A hairstyle with only one line, such as the one-length hairstyle.
  7. Establishing equal or appropriate proportions to create symmetry. In hairstyling it is the relationship of height to weight.
  8. The lines known as ______ lines can be straight or curved.
  9. The _____ face shape features a long, narrow face with hollow cheeks.
  10. Usually curved lines that are used to blend and soften horizontal or vertical lines.
  11. The comparative relation of one thing to another; the harmonious relationship among parts or things.
  12. To create length and height in hair design, use _____.
  13. The _____ face shape features a narrow forehead, wide jaw, and wide chin line.
  14. For ease of styling, _______ hair is generally best cut short.
  15. The triangular section that begins at the apex or high point of the head and ends at the front corners is called the ______.
  16. What is a physical characteristic that is NOT taken into account when designing an artistic and suitable hairstyle?
  17. For a client with a ______, the hair should be directed forward in the chin area.
  18. For a client with _____, you should direct the hair back and away from the face at the temples.
  19. Wave patterns that must be taken into consideration when designing a style.
  20. Lines with a definite forward or backward movement are _____ lines.
  21. If a male client has _____, a fairly close-trimmed beard and mustache would be very thinning to the overall appearance.
  22. Balance is described as creating equal or appropriate proportions to provide _____.
  23. What is a recurrent pattern of movement in a design?
  24. For a client with a ______ nose, bring hair forward at the forehead, with softness around the face.
  25. In designing for clients with large or broad shoulders, the stylist should create styles with ______.
  26. Neither Convex nor concave; considered the ideal profile.
  27. To offset or round out the features of a square facial shape, the aim would be to _______.
  28. Lines that may move in a clockwise or counterclockwise direction are _____ lines.
  29. The mass or general outline of a hairstyle. It is 3D and has width, length, and height.
  30. The area of a design where the eye is drawn to first before traveling to the rest of the design is called ______.
  31. When opposite sides of a hairstyle have different lengths or different volume and appear to have equal visual weight, it is considered to have ______ balance.
  32. The face shape featuring a wide forehead and narrow chin line is the _____.
  33. The area surrounding the form or the area the hairstyle occupies.
  34. The _____ profile has a receding forehead and chin.
  35. Outline of the face, head, or figure seen in a side view.
  36. Horizontal and vertical lines that meet at a 90-degree angle and create a hard edge.
  37. To create width in hair design, use ______.
  38. The creation of unity in a design; the most important of the art principles. Holds all the elements of the design together.
  39. Which type of hair offers the most versatility in styling?
  40. Wave pattern changes can be created or changed temporarily with styling tools and permanently with _____.